Featured Works

I dream of instruments obedient to my thought
and which with their contribution of a whole new world of unsuspected sounds,
will lend themselves to the exigencies of my inner rhythm.— Edgard Varèse
Melencolia (2021-22), for text, image, and electronic
sound, in progress
Genetic Variations (2022), for electronic sound {Note}
Erasure (2021), for flute, bassoon, violin and cello
Double Helix (2019), a computer-generated composition {Note}
Totality (2016) for bassoon and piano {Note | New Focus Recordings | Bandcamp | Spotify | Naxos2}
Constellation (2015) for flute and electronic sound {Note}
Images (2014) for oboe and piano {Note}
Stained Glass (2014) for vibraphone and electronic sound {Note}
Harmony (2013) for solo piano {Note}
Iteration (2012) for alto saxophone, marimba and electronic sound {Note | Spotify}
Frieze (2011) for cello and piano {Note}
Dark Energy (2011) for viola quartet {Note}
A Mathematical Offering (2010) for oboe and bassoon {Note}
Pi Day (2009), a computer-generated blues in B-flat {Note}
Tiling (2009) for viola and piano {Note}
Chaos Game (for Nancarrow) (2009), a computer-generated composition {Note | Spotify}
When Inspiration Came (2009), a computer-generated composition {Note | Spotify}
Jovian Images (2008) for soprano saxophone and electronic sound {Note | Spotify} *
Luminescent (2007) for alto saxophone and marimba {Note | Spotify}
The Music of the Primes (2006), a computer-generated composition {Note | Spotify}
When I Consider the Heavens (2005) for SSATTB chorus and electronic sound {Note} *
Illuminations (2005) for alto saxophone and piano {Note | Spotify}
May the Angels Take You Into Paradise (2004) for assembly, solo voice, liturgical choir and piano
Strange Attractors & Logarithmic Spirals (2001), a computer-generated composition {Note | Spotify}
God Does Not Play Dice (1998), a computer-generated composition {Notes}
I. The Uncertainty Principle {Spotify}
II. Schrodinger's Cat {Spotify}
III. Sum Over Histories {Spotify}
Two Voyagers (1998) for soprano voice, alto voice and
piano
on two poems by Emily Dickinson:
Two butterflies went out at noon (Bartelby)
& The heart asks pleasure first (Bartelby)
The Language of the Angels (1996), a computer-generated composition {Notes}
I. Whether one angel talks to another {Spotify}
II. Whether a lower angel speaks to a higher one {Spotify}
III. Whether an angel talks to God {Spotify}
IV. Whether distance has an effect on the angels' speech &
Whether all the angels know what one says to another {Spotify}
The Butterfly Effect (1994), a computer-generated composition {Spotify}
Piano Variations (1993) for solo piano
Not Speaking (1993, rev. 2004) for soprano saxophone, alto saxophone and vibraphone {Note} *
Is/Ought (1991) for trumpet ensemble
In the Presence of Angels (1989), for soprano voice
and piano
Text: Psalm 138 adapted by
Reginald F. Bain, Sr.
Retreat from Quiescence (1989), a computer-generated composition

* - A brief excerpt from a live performance is available
Performance rights management by BMI
Contact the composer at rbain at mozart dot sc dot edu.
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Naxos2 links are available via USC's Naxos Music Library subscription

Updated: April 23, 2022